Bicycle Thieves Movie Review Example | Topics and Well Written Essays - 750 words

bicycle Thieves - Movie Review ExampleIn many ways, the young boy represents a purity and moral fortitude that elders nearly him have difficulty to master. The young boy accompanies his father through his long, arduous and ultimately futile attempt to locate his stolen bicycle. But throughout these travails, he just betrays his immaturity. The poise and understated maturity of young Bruno is pleasing to see. I believe it is upon De Sicas directorial discretion that Brunos character was drawn on those lines. There is ane scene in particular where the young boys maturity comes to light. It was when his frayed and tired father slaps him on the cheek out of his own privileged frustrations. Bruno was hurt and he starts to cry. He moves away from his father and sulks. Yet, when his repentant father comes to him to console and cajole, he does not rebuke him. Instead of playing truant and throwing a tantrum, young Bruno allows his dad to make peace with him. Eventually, his father takes him to a restaurant to buy him a luxurious cake. In a subtle irony, De Sica showcases how the young locoweed sometimes lead the old and display more maturity. Neo-realist cinema might be passe for modern audiences, but when De Sica gave it full expression in Bicycle Thieves it was fresh and inventive. In fact, poverty as a theme for commercial cinema was thought unviable by many producers. Consequently, De Sica had difficulty garnering funding for his project. The fact of the availableness of only a limited funding actually accentuated the neo-realist feel in the film. For example, the lead actors are all amateurs who barely had any acting experience prior to the film. The scenes were all shot on location without using any studio settings. The stuff and nonsense reality of poverty was well captured too. After all, it doesnt require big-ticket(prenominal) props to execute a film based on the ordeals of poverty. Consistent with the neo-realist style the background music for the fi lm is minimal. The idea is to let the story work its own sense of drama and poignancy without the aid of music. Moreover, an austere production philosophy resonates with the poverty and frugality at display onscreen. (Wakeman, 1988) The film is good material for philosophical inquiry. In my view, the essence of the film is the last scene where the victim decides to become the victimizer. When Antonio Ricci (the protagonist) decides out of desperation that he would steal a bicycle to compensation what had been stolen from him, the title Bicycle Thieves takes on an added dimension. What was till that point in film a reference to the gang of burglars who steal bicycles and resell them in the market, now includes the aggrieved nonstarter himself. This is a tendinous political statement on part of De Sica about the nature of poverty and the evaluation of morality in this economic realm. In other(a) words, the film can be seen as an early exploration on the vicious cycle of poverty an d crime. There is little doubt that the directors take on these twin blights of society are rather sympathetic. This much is evident from the overall tone and effect of the film. In this sense, the film is a powerful social and political comment something that is apt for further study from sociological perspectives. (Ratner, 2005) In sum, Bicycle Thieves is an important work in the history of world cinema. Its charm is universal because its theme is universal and based on humanism. Bicycle Thieves is an intense film that has an underlying engagement with humanist